I like this bench
I like this city
I like your charm
When I feel pretty
Tuesday, February 28, 2017
Thursday, January 26, 2017
Write what you know. (2013?)
I know about the ocean. About the cold that you have to push
yourself into. About the ache in your chest if you haven’t eaten. About the
shoes you wear to protect yourself against the rocky floor—against predators both
imaginary and real. Against the truth of what is beneath you. You wear the
shoes so that you don’t know, because not knowing what you’re actually stepping
on helps to numb the fear.
I know about distance. How you set yourself goals to swim to and you realize you’re much more out of shape than you’d assumed. How distance is deceptive and sound carries in strange ways. How voices that echo as if around the corner may actually be miles away. “That’s a rain train”, my grandmother would say—when the sound carried so close you knew it was likely to rain soon. And if you’re underwater, it is impossible to tell in which direction sound is coming from.
I know about distance. How you set yourself goals to swim to and you realize you’re much more out of shape than you’d assumed. How distance is deceptive and sound carries in strange ways. How voices that echo as if around the corner may actually be miles away. “That’s a rain train”, my grandmother would say—when the sound carried so close you knew it was likely to rain soon. And if you’re underwater, it is impossible to tell in which direction sound is coming from.
I know about jellyfish—that if you catch them
on their supple back you can avoid the stings, and that you can build rock
enclosures for them, but you have to remember about the tide. When I was eight
I accidentally executed fourteen jellyfish this way. They never even had a
trial. I’d forgotten about the tide.
Nothing but change is guaranteed. The tide always comes in
and it always leaves. This I know. I know that each summer I tried to pin down
moments to last forever, but that I couldn’t stop my grandparents from aging.
Their wrinkles multiplied and their backs arched in increasing curves and their
movements slowed. But they were still themselves.
Things we do to numb us from feeling. Why do we want to numb
ourselves? What is it we’re afraid of?
I always wanted to go skinny dipping in the ocean but was
too afraid to leave my bed at the right time. It was too dark, too dangerous
and too lonely. Too unknown.
I keep wanting to write about the ocean but I know it
doesn’t make for a very captivating story.
I could write about one great-grandfather drowning in the ocean and
another great-grandfather whose life changed dramatically after he crossed it.
I could write about the first time I heard the word “shit” (my dad stepped on a
starfish that my brother and sister had left out to dry) or about nearly
drowning with my mom in Hawaii. We clung on to our rented boogie board and felt
huge waves pummel us into the sand, but when we finally rose to the surface we
both looked at each other and saw mirrored exhilaration.
I could write about the salt tears that flowed down my face
while my mom and I watched a sad movie about C.S. Lewis losing his wife, and my
mom turned to me on the bed and said, “I love you so much honey, I want you to know that” and she hugged me tightly and
we both cried even harder, because we knew we weren’t crying about C.S. Lewis’s
wife, we were really crying about Dad and Jessie.
“There’s nothing more beautiful than the way the ocean
refuses to stop kissing the shoreline, no matter how many times it’s sent
away.” –Sarah Kay
Tuesday, January 17, 2017
Statement of Diversity for the Rosalind Franklin Physician Assistant Program (I did not get in)
I
have sought out and been subject to diversity through education and life
experiences, and so much of my understanding of people has changed because of
this. I have found that my experiences enable me to empathize with patients who
confront challenges on their way to achieving their healthcare goals, and I
look forward to contributing this spirit of understanding to the community at
Rosalind Franklin University.
My
parents felt it vital to expose their children to other cultures. My father, a
native of Nova Scotia, received his masters in Islamic Studies from McGill
University before meeting my mother (who had spent several years in Germany). They
both became fluent in French and shortly after their marriage moved to West
Africa, where they lived for fourteen years. My mother says I spoke better
Pular (the language of our local Guinean community) than English. Though I
would not learn the word until much later, “polyglot” was certainly a term to
describe my family.
It
was my parents’ desire to improve our education that brought us back to the
United States. They had dreamed of moving to another country after a few years
but their plans were halted when my father and sister were killed in a car crash.
I was suddenly marked with a distinction of a sort no one wishes: the loss of a
parent and sibling.
This
confrontation with death became the first time I was aware of being
“different”. My cultural experiences before had seemed normal, but now I was
going through something my peers did not understand and everyone found
difficult to talk about. I was acutely aware of the pain of being an outsider.
Though
I bristle at the idea of “good” coming from tragedy, I have been brought into
deeper empathy with those undergoing various forms of suffering. I am genuinely
interested in people and including those who have been marginalized. A desire
to embrace different perspectives has become the theme of my life. I have felt
the pain of not being able to talk about personal crisis and struggles, and I
want to help ameliorate this in others.
Countless
times I have sat with patients who told me stories of family struggles, of
discrimination, of lack of access to necessary treatments like dialysis, of
abuse, of aging, of financial struggles and so many more. This is how I would
contribute to the diversity at Rosalind Franklin University: not by
distinguishing myself as separate but by seeking to understand others’
experiences and searching for ways to heal together.
There
is pain in separation. As fascinating as unique experiences are, I have found
that these celebrations of singularity are hard-won and only made possible
after an individual is made aware of their differences. While certain people
may escape childhood unscathed, the majority of us have residual pain from
instances in which we believed we did not belong. Though I am unable to take
away adversity, I can certainly seek restoration. I look forward to doing so
with my fellow classmates and the patients we encounter.
Monday, October 24, 2016
Wednesday, October 12, 2016
To strange men in gas stations, grocery aisles and elevators
actually, it would
hurt me to smile
it would kill that little beast
Integrity
when grimaces are freely given
they have lost their application
if I smile at you
I would be barring my teeth
inviting you to admire
my perfectly sharpened fangs
pricking tongue
pungent breath
you
have done nothing deserving of warmth
by declaring my face cold
Saturday, October 8, 2016
for women who are "difficult" to love
you are a horse running alone
and he tries to tame you
compares you to an impossible highway
to a burning house
says you are blinding him
that he could never leave you
forget you
want anything but you
you dizzy him, you are unbearable
every woman before or after you
is doused in your name
you fill his mouth
his teeth ache with memory of taste
his body just a long shadow seeking yours
but you are always too intense
frightening in the way you want him
unashamed and sacrificial
he tells you that no man can live up to the one who
lives in your head
and you tried to change didn't you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you can't make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love. --Warsan Shire
and he tries to tame you
compares you to an impossible highway
to a burning house
says you are blinding him
that he could never leave you
forget you
want anything but you
you dizzy him, you are unbearable
every woman before or after you
is doused in your name
you fill his mouth
his teeth ache with memory of taste
his body just a long shadow seeking yours
but you are always too intense
frightening in the way you want him
unashamed and sacrificial
he tells you that no man can live up to the one who
lives in your head
and you tried to change didn't you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you can't make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love. --Warsan Shire
Wednesday, September 28, 2016
September sickness
Sick of the chill. This is not the pretentious, let-me-roll-my-eyes-at-the-mention-of-pumpkin-spice-and-sweater-weather sickness. This is full-on "I'm ready for May" sickness. Let me plant a garden and dodge April showers, let's open wide the windows and clean with the most zeal I'll have all year. The thermometer hasn't dropped much below 60 yet and already I feel the dread of Raynaud's and winter weight.
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